# The HTTP API

av-club is a Bun HTTP service. It exposes as much of sharp, ffmpeg and ffprobe as can be exposed
safely, and it keeps each tool's own vocabulary: sharp operations are named what sharp names them,
ffmpeg options are spelled the way ffmpeg spells them. If you know the tool, you know this API.

What it does **not** let you do is name a file. See `docs/SECURITY.md` — that single restriction is
what makes the rest of the surface safe to open up.

## Status

| Endpoint | |
|---|---|
| `POST /v1/assets`, `GET /v1/assets/:id`, `GET /v1/assets/:id/content`, `DELETE /v1/assets/:id` | implemented |
| `GET /v1/assets/:id/probe` | implemented |
| `POST /v1/sharp` | implemented |
| `POST /v1/ffmpeg` | implemented — both asset and path modes |
| `GET /health` | implemented |

## The shape of everything

**Nothing takes a path or a URL.** You upload bytes, you get an **asset id**, and every subsequent
operation refers to that id. Operations produce new assets and return new ids; inputs are never
modified.

```
upload ──> as_a1b2…  ──sharp──> as_c3d4…  ──download
```

Ids look like `as_` followed by 32 hex characters.

## Authentication

Every endpoint except `/health` requires:

```
Authorization: Bearer <token>
```

The token is `AV_CLUB_TOKEN` in the service's environment. There are no user accounts — this is an
internal service between things we run.

## Errors

One envelope, always, so a client can parse a failure the same way it parses a success:

```json
{ "error": { "message": "resize.width must be an integer between 1 and 16383", "type": "invalid_request", "param": "pipeline[1].resize.width" } }
```

| `type` | Status | Meaning |
|---|---|---|
| `invalid_request` | 400 | The request is malformed or an argument is out of range. `param` says where. |
| `unauthorized` | 401 | Missing or wrong bearer token. |
| `not_found` | 404 | No such asset. |
| `payload_too_large` | 413 | Upload exceeds the size cap. |
| `unprocessable` | 422 | Valid request, but the file could not be processed — corrupt, or not the format it claimed. |
| `timeout` | 504 | The job exceeded its wall clock limit and was killed. |
| `server_error` | 500 | Our fault. |

Messages are written to be readable by a person, because the thing on the other end is often
relaying them to one.

---

## Assets

### `POST /v1/assets`

`multipart/form-data` with a `file` field.

```bash
curl -X POST http://localhost:3020/v1/assets \
  -H "Authorization: Bearer $AV_CLUB_TOKEN" \
  -F file=@photo.heic
```

```json
{
  "id": "as_9f86d081884c7d659a2feaa0c55ad015",
  "bytes": 2847293,
  "sha256": "9f86d081884c7d659a2feaa0c55ad015a3bf4f1b2b0b822cd15d6c15b0f00a08",
  "kind": "image",
  "format": "heif",
  "width": 4032,
  "height": 3024,
  "createdAt": "2026-08-20T01:40:00.000Z"
}
```

`kind` is one of `image`, `video`, `audio`. It is determined by **inspecting the bytes**, never from
the filename or the browser's `Content-Type` — see `docs/SECURITY.md`.

The upload is rejected with `422` if it is not media we can decode, and with `413` if it exceeds
`AV_CLUB_MAX_UPLOAD_BYTES`.

### `GET /v1/assets/:id`

The same JSON as above.

### `GET /v1/assets/:id/content`

The bytes, with the right `Content-Type`. Supports `Range` requests, which matters because a browser
will not scrub — often will not even play — a `<video>` served without it.

### `DELETE /v1/assets/:id`

`204`. Deleting an input does not affect outputs already derived from it.

### `GET /v1/assets/:id/probe`

Everything the tools can tell you about the file.

For images this is sharp's `metadata()` plus `stats()`. For video and audio it is `ffprobe` with
`-show_format -show_streams`, passed through with **ffprobe's own field names** — `codec_name`,
`bit_rate`, `r_frame_rate`, `nb_frames` and the rest, exactly as ffprobe emits them.

```json
{
  "kind": "video",
  "format": { "format_name": "mov,mp4,m4a,3gp,3g2,mj2", "duration": "12.480000", "bit_rate": "2489331" },
  "streams": [
    { "codec_type": "video", "codec_name": "h264", "width": 1920, "height": 1080, "r_frame_rate": "30/1", "pix_fmt": "yuv420p" },
    { "codec_type": "audio", "codec_name": "aac", "sample_rate": "48000", "channels": 2 }
  ]
}
```

---

## sharp

### `POST /v1/sharp`

A sharp pipeline, expressed as an ordered list of operations. **Every operation is named exactly what
sharp names it, and its arguments are sharp's arguments**, so sharp's own documentation is the
reference for what each one does.

```json
{
  "input": "as_9f86d081884c7d659a2feaa0c55ad015",
  "options": { "failOn": "warning", "animated": false },
  "pipeline": [
    { "rotate": {} },
    { "resize": { "width": 1200, "fit": "inside", "withoutEnlargement": true } },
    { "modulate": { "saturation": 1.05 } }
  ],
  "output": { "format": "avif", "options": { "quality": 55, "effort": 4 } }
}
```

`options` are sharp's **constructor** options. `pipeline` runs in order. `output` is the format and
its encoder options.

Returns a new asset:

```json
{ "id": "as_c3d4…", "bytes": 84213, "kind": "image", "format": "avif", "width": 1200, "height": 900 }
```

**The full operation vocabulary, the arguments each takes, and the bounds enforced on them are in
[`docs/SHARP.md`](SHARP.md).** It is generated from the same table the validator uses, so it cannot
drift from what the server actually accepts.

### Things worth knowing

**`rotate` with no angle** reads the EXIF orientation and applies it. Since output is re-encoded and
metadata is dropped, an image that was upright in a phone's gallery arrives sideways on the web
unless you do this. It is the single most commonly forgotten operation.

**Metadata is stripped.** Sharp does this by default and av-club does not offer `withMetadata()`.
That is a deliberate refusal, not an omission: it is how a client's GPS coordinates get published.
If you need dimensions, they are in the response.

**`resize` does not enlarge unless you let it.** Pass `withoutEnlargement: true` or a 300px source
asked for 800px comes back 800px and soft.

---

## ffmpeg

`POST /v1/ffmpeg` takes ffmpeg's own option names.

**This section said "designed, not yet built" until 2026-08-29, and was wrong when it said it** — the
endpoint was routed and working. A stale status table is worse than none: it was read as a gap and
nearly rebuilt.

### Two modes

```json
{ "input": "as_9f86…", "format": "mp4" }
```
stores the result as a new asset and answers `201` with it.

```json
{ "inputPath": "/home/you/Movies/a.mkv", "outputPath": "/home/you/Movies/a.mp4", "format": "mp4" }
```
writes the result where you said and answers `200` with `{ path, bytes }`. Both paths are confined to
`WORK_ROOT` — see `docs/SECURITY.md`, which this mode deliberately revised.

**The input is never modified, in either mode.** ffmpeg encodes into a temp directory and the result
is moved into place at the end, so a job killed halfway leaves the original intact rather than a
truncated file where a good one was. Deleting a source is the caller's business.

### The options

```json
{
  "input": "as_9f86…",
  "inputOptions": { "ss": 5, "t": 10 },
  "filters": { "v": [ { "scale": { "w": 1280, "h": -2 } }, { "fps": { "fps": 30 } } ] },
  "outputOptions": {
    "c:v": "libx264", "crf": 23, "preset": "medium", "pix_fmt": "yuv420p",
    "c:a": "aac", "b:a": "128k", "movflags": "+faststart"
  },
  "format": "mp4"
}
```

Two deliberate differences from the command line, both from `docs/SECURITY.md`:

**Filters are structured, not a `-vf` string.** ffmpeg's filter syntax is a small language with its
own escaping rules, and parsing it correctly enough to validate it is harder than accepting a list of
`{ name: args }` objects. The names and parameters are ffmpeg's; only the punctuation is ours.

**There is no `-i` and no output path.** Input is an asset id and the output filename is ours. This
is the invariant the whole security model rests on.

Filters are a default-deny allowlist. `movie`, `subtitles`, `frei0r`, `ladspa` and their relatives
are refused because they read files or load native code; `drawtext` is allowed with its `textfile`
and `fontfile` parameters rejected.